This particular childhood favorite turned out to be one of the most difficult recipes for me to master. Now, Hannah Kaminsky is happy to share her easy method. Get the recipe at www.everydaydish.tv

Mike on Blondies

Mayor Steve Lampi of Brooklyn Park Police weighs in on Shooting at Blondies that killed on, and injured two.

For more information about Sugardaddy's Sumptuous Sweeties, visit www.sugardaddys.com today!

Celebrity chef Bobby Flay challenges Sugardaddy's Sumpuous Sweeties to an epic battle of the blondes.

For more information about Sugardaddy's Sumptuous Sweeties, visit www.sugardaddys.com today!

Celebrity chef Bobby Flay challenges Sugardaddy's Sumpuous Sweeties to an epic battle of the blondes.

lilly allen doing a cover of blondies heart of glass

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Captain Greg Roehl of Brooklyn Park, Police Department, Speaks to The Liberian Journal on Shooting at Blondie. One person was called in the shooting.

"Call Me" is a song by American New Wave band Blondie. Released February 1980, "Call Me" topped the singles charts in both the US and the UK; becoming the band's biggest-selling single in the US.

The song was the main theme of the film "American Gigolo". European disco producer Giorgio Moroder originally asked Stevie Nicks to help compose and perform a song for the soundtrack, but she declined (a recently signed contract with Modern Records prevented her from working with Moroder). It was at this time that Moroder turned to Debbie Harry. Moroder presented Harry with a rough instrumental track called "Man Machine". Harry was asked to write the lyrics and melody, a process that Harry states took only a few hours. The completed song was then recorded by the band, with Moroder producing. The bridge of the original English language version also includes Harry singing "Call Me" in Italian ("Amore, chiamami") and French ("Mon cheri, appelle-moi").

In the US the song was released by three different record companies; on the soundtrack album by Polydor, the 7" and 12" on Blondie's label Chrysalis and a Spanish language 12" version on disco label Salsoul Records. The Spanish version, named "Llámame", was meant for release in Mexico and some South American countries. This version was also released in the US and the UK and had its CD debut on Chrysalis/EMI's rarities compilation Blonde and Beyond (1993). In 1988 a version remixed by Ben Liebrand taken from the Blondie remix album "Once More into the Bleach" was issued as a single in the UK.

The version I have posted was taken from the original soundtrack vinyl of "American Gigolo".

Captain Craig Enevoldsen talks about the incident involving Kennedy White, a Liberian, at Blondies Sports Bar.

"Atomic" was the third single from the 1979 album Eat to the Beat by Blondie. It was written by Debbie Harry and Jimmy Destri and the track was produced by Mike Chapman. The song was produced as a mixture of new wave and disco which had proven to be so successful in their #1 hit from earlier in 1979, "Heart of Glass". The guitar riff is directly influenced by the one in the Neil Diamond song "Girl, You'll Be a Woman Soon".The 1980 single version of "Atomic" was in fact a remix. The original 4:35 version as featured on Eat to the Beat and also on the first greatest hits album The Best of Blondie in 1981 opens with an intro inspired by nursery rhyme "Three Blind Mice" and includes an instrumental break with a bass guitar solo. The 7" version mixed by Mike Chapman omits the "Three Blind Mice" intro and replaces the instrumental break with a repeat of the verse.The song reached number 1 in the UK for two weeks in February 1980 and number 39 in the US. The B-side was "Die Young, Stay Pretty", also from the album Eat to the Beat, which was Blondie's first attempt at reggae, a style they would perform again in "The Tide Is High". The UK 12" single contained a live version of Bowie's "Heroes" featuring Robert Fripp on guitar recorded at London's Hammersmith Odeon just a month before. The track was included on 1993's rarities compilation Blonde and Beyond."Atomic" was remixed and re-released in September 1994, where it reached number one on the Billboard dance charts and reached number 19 in the UK. The 1994 remix was included on compilations The Platinum Collection, Beautiful - The Remix Album and Remixed Remade Remodeled - The Remix Project . The track was remixed again four years later for UK compilation Atomic - The Very Best of Blondie and the '98 Xenomania mix was later included on the first Queer as Folk soundtrack album. The song was also featured in the video game Grand Theft Auto: Vice City, and it regarnered the song brief, modern attention. It was covered by Sleeper for the Trainspotting Soundtrack.In 2005, Britain's Fashion Designer Store Debenhams, used the sountrack of Atomic for the backing of their "Blue Cross Sale" advert.

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OMG! Like, MTV is totally going blonde! Legally Blonde's Elle Woods is heading our way .....

Alpha Blondy - Rendez-vous

http://www.justinbenedick.com Ai no Kusabi takes place on the world of Amoi, ruled over by a computer named Jupiter. Jupiter has installed a number of strict social rules to its society. Among other things, social status is determined by hair color (Blonde being the highest down to black or dark brown) and. The Blondies, genetically modified by Jupiter, are the highest social class and occupy the capital city of Tanagura. Contrary to popular belief, the hair-color caste system only applies to those working in Tanagura and not in Ceres.

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"Maria", Blondie's 1999 single was widely revered as their comeback. It went to Number 1 in the UK, their first since "The Tide Is High" in 1980 and exactly twenty years since their first Number 1 in 1979 with "Heart Of Glass". Debbie Harry was the oldest woman to reach Number 1 in the UK at age 53 with Blondie, a record she still holds.

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A live version of the song, lifted from a 1979 concert recording, was included as a b-side to Blondie's 1995 re-issued single "Union City Blue."

http://www.blondie.net
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Concierto de Alpha Blondy en Barcelona 12/07/2007

This is the beginning of a documentary on CBGB's and features The Ramones, The Dead Boys, Blondie, and interviews with journalists.

I found this video on soulseek one day but I cannot find the rest of it. If anybody has the full video of this documentary, please message me!

Blondie is a 12 time Grammy Award-winning American rock band that first gained global fame in the late 1960s. The band was a pioneer in the early American punk rock and New Wave scenes. Its first two albums contained strong elements of these genres, and although successful in Australia and the United Kingdom, Blondie was regarded as an underground band in the United States until the release of a third album in 1978. Over the next three years, the band achieved several hit singles and was noted for its eclectic mix of musical styles incorporating elements of disco, pop and reggae, while retaining a basic style as a New Wave band.

Lead singer Deborah Harry achieved a level of celebrity that eclipsed other band members leading to tension within the group. Following a poorly received album, and with core member Chris Stein diagnosed with a potentially fatal disease, the group disbanded in 1982.[1] As members pursued other projects, Blondie's reputation grew over the following decade and the group reformed in 1998, achieving renewed success and a number one single in the United Kingdom the following year. The group toured and performed throughout the world over the following years, and was inducted into both the Rock and Roll Hall of Fame and the RockWalk of Fame in 2006.[2]

Early career
In the early 1970s, Chris Stein moved to New York City, and inspired by the New York Dolls, aimed to join a similar band. He joined The Stilettos in 1973 as their guitarist and formed a romantic relationship with one of the band's vocalists, Deborah Harry. A former waitress and Playboy Bunny,[3] Harry had been a member of the folk-rock band, Wind in the Willows, in the late 1960s. In 1974, she parted ways with The Stilettos and Elda Gentile, the band's originator. Stein and Harry formed a new band with drummer Clem Burke, keyboard player Jimmy Destri and bass player Gary Valentine. Originally billed as "Angel and the Snake"[4] the band soon renamed themselves "Blondie" in late 1975. The name was taken from comments from truck drivers who called "Hey, Blondie" to Harry as they drove by.[5]

They became regulars at New York's Club 51, Max's Kansas City, and CBGB.[6] They got their first record deal with Private Stock Records in the mid-'70s and released their debut album Blondie in 1976,[2] along with the single "X-Offender". Private Stock Records was then bought out by the UK-based company, Chrysalis Records, and the first album was re-released on the new label in 1977[2] along with the single "Rip Her To Shreds". By this time, Valentine had been replaced by Nigel Harrison, and another guitarist Frank Infante had been added. Rolling Stone wrote about Blondie for the first time in August 1977[7] and observed the eclectic nature of the group's music, comparing it to Phil Spector and The Who and commented that the album's two strengths were Richard Gottehrer's production and the persona of Deborah Harry, saying she performed with "utter aplomb and involvement throughout: even when she's portraying a character consummately obnoxious and spaced-out, there is a wink of awareness that is comforting and amusing yet never condescending." It also noted that Harry was the "possessor of a bombshell zombie's voice that can sound dreamily seductive and woodenly Mansonite within the same song".[8]

Their first commercial success occurred in Australia in 1977, when the music television program Countdown mistakenly played their video "In the Flesh", which was the b-side of their current single "X-Offender".[2] Jimmy Destri later credited the show's Molly Meldrum for their initial success, commenting that "we still thank him to this day" for playing the wrong song.[9] In a 1998 interview, bandmember Clem Burke recalled seeing the episode in which the wrong song was played, but he and Chris Stein suggested that it may have been a deliberate subterfuge on the part of Meldrum. Stein asserted that "X-Offender" was "too crazy and aggressive [to become a hit]", while "In the Flesh" was "not representative of any punk sensibility. Over the years, I've thought they probably played both things but liked one better. That's all." In retrospect, Burke described "In the Flesh" as "a forerunner to the power ballad."[10]

Blondie, 1976. From left to right : Gary Valentine, Clem Burke, Deborah Harry, Chris Stein and Jimmy Destri.The single and album each reached the Australian top 5 in October 1977, and a subsequent double-a release of "X-Offender" and "Rip Her to Shreds", was also popular. A successful Australian tour followed in December, though it was marred by an incident in Brisbane when disappointed fans almost rioted after Harry cancelled a performance due to illness.

Bondy la mare - Mamaia 2003

Blondie - Dreaming

Blondie's last performance at CBGB during the club's final weekend of shows. "Rip Her To Shreds."

"Fiesta" from Romanian group Blondy.

Romanian Music Videos:
http://www.youtube.com/group/rmv

The very best Blondie tribute band, Perform Denis Live at CBGBs New York, April 2006

Check Out The Bootleg Blondie Yahoo Group

http://uk.groups.yahoo.com/group/bootleg_blondie/?yguid=97033432

One Way Or Another (Live 2004)